Nine Inch Nails give away another free album, only this one's really good. If you weren't a fan of Reznor's industrial-rock attack before then now's the time to get on board.

CSS attempt to follow-up its cheery and infectious debut with polished, stripped-down versions of songs that sound too familiar, more Americanized and, at times, impenetrable.

When news hit that Danger Mouse would be involved in Beck's latest offering, Modern Guilt, I got pretty excited. Our favorite 'Loser' has been known to make extremely great music (groundbreaking and chart-busting) as a collaborator (O Delay!), as well as solidifying his own reputation as a master of melodic-funk-party-pop. However, Modern Guilt basically demonstrates that the two musicians are huge fans of Caribou, which is not a bad thing.

On its sixth studio album, Earlimart drop down in size to its original core members: Aaron Espinoza and Ariana Murray. The duo has slowly moved closer towards a dreamier and more detailed pop sound since its landmark album, Everyone Down Here, and Earlimart make this distinction more apparent than ever on Hymn and Her.

The Notwist return with its first album since 2002's Neon Golden, and even include a song or two that could have easily been ripped from that disc. Fans expecting a progression will be treated to a new set of songs that live entirely on their own, while reminding you of that classic record.